Great photography communicates an emotion. All parts of an image contribute to the emotion and if any aspect does not play a role in the emotion, it should be detached from the image. It is the foreground that sets the mood of a picture. There are various ways to make use of the foreground and create the mood. Foregrounds add to the center of interest and add depth to an image. This is true for foregrounds as well. Chaotic backgrounds often become a trouble for photographers but foregrounds can be a worse trouble. While cluttered backgrounds distract the subject, foregrounds can hide subject itself from view. Depth of field and angle are the two best ways to deal with a bad foreground.

In many of the images, it frequently appears that the foregrounds were a late addition or are there only because they were between the photographers and their subjects. While using the depth of field to tackle the bad foreground photographers are restricted by two things: the closeness of the camera to the offending object and the dimension of the object. Most of the photographs are 2 dimensional representation of a 3 dimensional scene that is a camera effectively "flattens" the scene. Foreground is anything in front of the subject. Like back ground foreground is also important. An ugly tire in the water's edge can ruin a photograph.

Depth of Field: Bigger the object, the more complicated it is to visually eliminate that object using depth of field. When the problem foreground object is near but minor one something like a wire fence, it is best to get the camera close enough so that the object can be thrown so far out of focus it becomes invisible. On the other hand, when the problem foreground object is far away from the photographer and closer to the subject, it would stay like a distracting blur no matter how small the depth of field becomes.

Angle: Angle is the second alternative for dealing with bad foregrounds. If an object cannot be removed by the photographer by using depth of field then he or she must shift. Redundant objects can be kept outside the planned frame by altering the shooting angle. Changing angle is not all about moving left or right. Shooting angle can be raised by standing on a stable object or lowering the angle by crouching down.

Rule of Thirds: Another alternative to overcome the problem foregrounds is the rule of thirds. When using the rule of thirds, any object in the foreground that is placed on a line of emphasis will try to take visual dominance over other items in the composition. Therefore, it is important to avoid strong foreground objects placed at those points unless the photographer wants them to be a main focal point of the image.

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