Voice Creation with Favorite songs Morpher Gold, Part two
Arts & Entertainment → Books & Music
- Author Matt Wooledge
- Published June 27, 2011
- Word count 509
In Component 1, we discussed how you can prepare yourself for developing an audio file for a video or an audio presentation with character voices. In Part 2, we will total this discussion.
For this second recording approach, you should read every characters lines 1 soon after the other, in other words, read all of Tom’s lines first, then Dick’s lines, then Harry’s. That way you can actually apply every voice’s settings to all of the lines for that character at when. Just highlight the beginning of Tom’s lines, drag to the end of Tom’s lines, and then apply the morphing settings to them in one click. The tedious part will be cutting and pasting them all back together inside the ideal order. You do this by highlighting the words, cutting them and then clicking where they are to be inserted and pasting them. I prefer performing it this way. For 1 reason, it makes it possible for you to apply any inflections or accents or speech affects to the character’s dialog all at once, instead of trying to switch it each time a diverse character speaks. For example, if 1 character is really a female, you will locate that softening your voice will make it less difficult to alter the voice and have it still sound female. If one character has an English accent, it truly is simpler to maintain it throughout all of the lines if they're all together. The option is up to you.
When you're attempting the unique settings, you might soon find that Pitch will be the overwhelming setting. Timbre and Advanced Tune have considerably much less effect on the outcome. They are going to tend to create the voice sound unsteady and mechanical; which is fine for different robot voices, or cartoon voices, but you may get following some experimenting that altering your natural voice as you record it and then applying a pitch change will bring very acceptable results to your audio files.
You are able to punch up your audio files by adding sound effects and background music. Some general rules to follow are simple; maintain the effects to a minimum and don't let them overwhelm the dialog, unless the scenario calls for it; when introducing music, it is ordinarily a superb thought to fade it in at the beginning and out at the end. Also, maintain the volume of the music lower than the dialog, if you would like the listener to have the ability to hear the words. One final, little point, and this could just be me, but I ordinarily forget to notice exactly where I save the files! When you're jumping around your drive, loading this file and that music and this sound effect, it is possible to simply be in the wrong directory for saving the final file, so check where it really is being saved, and write down the location. When you come back the next day to function on it some much more, you are going to thank your self for it.
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