Getting Distribution: Secrets & Lies

Arts & EntertainmentTelevision / Movies

  • Author Jerome Courshon
  • Published December 4, 2011
  • Word count 1,529

Getting Distribution: Secrets & Lies

By Jerome Courshon

One of the major Achilles’ heels for film producers and directors is the distribution game. Once you’ve made your movie, what do you do — How do you play the ‘game’ — What strategies do you employ — Is there even a strategy —

Well, there’s good news and bad news. The good news is there are indeed strategies to use and employ. The bad news is that most filmmakers don’t know what they are, and flounder around trying to figure them out. What’s even worse—currently—is too many filmmakers throwing in the towel and just dumping their film online, hoping it "hits" somehow.

In this article, I’m going to share a few secrets and debunk some prevalent lies (which we’ll call "myths") about achieving distribution. Hopefully this will give you some insight into the game, should you be looking for distribution now or preparing for your production.

Myth #1: I’m a director, a filmmaker, a creative person. Telling stories is my thing and if I make a good movie, I don’t have to worry about the business stuff or the marketing because someone else will do that.

Secret #1: This is not so much a secret as a reality check. There are of course some people who get lucky and either have a producing partner who does all the business & marketing (and is good at it), or they have the money to hire the right people to do everything.

However for most this isn’t the case, especially if one’s film career is in the early stages. You really need to become a businessperson once your movie or documentary is done. At least until it’s sold, or you’re done selling if DIY’ing it. The more you can become a "salesperson" and marketing maven, the more success you will have on your quest for distribution or sales. Yes, I know this part isn’t nearly as sexy and fun as making movies and can be downright boring at times. But as Orson Welles famously said about the film business—and is still true today: "It's about 2% moviemaking and 98% hustling."

Myth #2: Distributors are calling me and they’re excited to see my movie! I’ll send it to them and if they like it, they’ll acquire it!

Secret #2: All major distributors track the movies that have been listed in the trades under their production columns. If you were in those columns, you’re going to be phoned. Do not send them a rough cut. Do not send them a final cut. Do not send them the movie. If you do, you will not get a theatrical distribution deal, if this is what you are aiming for.

You must "unveil" your movie in the right place at the right time—such as a top film festival—to get the theatrical buyers to really want your feature. Movies do not get picked up for theatrical releases that have been sent on a DVD to a distributor. So when they call asking to see a screener, you’ll say "It’s not ready, but I appreciate your call. Check back with me in a month or two." (And you’ll do this every time they call, until you’re ready for the grand unveiling.)

Myth #3: My movie was selected for the Sundance Film Festival! Woohooo! All I have to do is show up and I will get a deal!

Secret #3: Okay, you won the lottery and got a slot at one of the top three festivals (Sundance, Toronto, Cannes) for your movie premiere. Guess what — Your work hasn’t even begun yet. You now must assemble a team of people—a PR firm, an agent from one of the top agencies in Los Angeles, an attorney, and possibly a producer’s rep. (But beware…most producer reps are useless.)

You will have to work, strategize and position your movie—before it premieres—as a very desirable movie that distributors must have. You have one shot at the top festivals for a theatrical deal, so don’t piss it away. Unfortunately, most filmmakers don’t know or understand this. They get a slot at Sundance or Toronto, don’t assemble a team or promote their film properly, and then come away without a deal and are entirely lost as to their next step.

Myth #4: I was rejected by the top festivals, so now I’m submitting and getting accepted by the next tier of festivals. This is cool. All I have to do is show up to my screenings and I’m treated like a rock star!

Secret #4: Yeah, okay, if this is you, at least you’re having fun. But you’re not going to get distribution this way. There is a real purpose to the festival circuit beyond the top festivals, that most people—even Hollywood veterans—simply do not understand. The obvious purpose is, of course, exposure. But there is actually a MORE important purpose: Building a Pedigree.

What is a pedigree — It is an accumulation, or a consensus that you must methodically build, of press coverage, quotes from critics, awards if you can get them—that says you have a winning movie on your hands. Once you have built this pedigree—which takes work on the festival circuit—you are then ready to parlay this into a distribution deal (or healthy sales). It’s a simple concept that most do not grasp; yet it is extremely powerful and effective for independent films that don’t get into the top festivals. There is real psychology involved in the "art" of selling a movie or documentary. Ignore at your own risk. However, if you learn this "art," you will have success.

Myth #5: I’ve submitted my movie to the 15 home video companies out there. I’ve talked to my producer friends and looked at industry reference books. I’ve even perused the video stores shelves to see who all the home video companies are. If they all say ‘No,’ I’m out of luck for a home video deal.

Secret #5: This "secret" right here may be worth serious dollars to you. There are literally over 100 home video companies in the marketplace, all operating under their own labels. On top of that are additional companies that pick up movies and programming that have output deals with these distributors. So if you think you’ve exhausted your search for a home video deal and have contacted a handful of companies, you’ve only just begun.

And don’t buy the occasional diatribe out there that DVD is dead. It’s not. It is still the largest revenue generating segment of the entire film industry. Last year alone, it generated $16-17 Billion in revenues. That’s Billion with a ‘B.’

Myth #6: I’m going to bypass traditional distribution altogether, sell my movie on the internet myself and make a ton of money from DVD sales and digital streaming.

Secret #6: Not likely. For every 5000 movies being made every year, there are less than 20 who make serious money this way. WHY — It’s hard work. It takes time (a lot of it), it takes specific strategies, and you become the de factor distributor for a good year, if not longer…which isn’t an exciting proposition for most filmmakers, who’ve already been on a lengthy and arduous journey of making their film.

However, some who go this route do it very successfully. They’re either great at marketing already, or great learners. And they’re very committed to achieving success, so they really do what it takes to win. Also, the budget of your movie can dictate if this route is viable for you. If you’ve made a $10,000 movie, it’s not that difficult to recoup this amount, with some decent work. But if your budget was $1 Million, good luck making your money back using only the internet. You’ll either need traditional distribution, or a hybrid approach of both traditional and non-traditional.

So these are a few of the popular and misleading myths out there, and the truth about them. With 5000 (or more) movies being made every single year, that’s a lot of producers and directors working with often erroneous information. Not to mention an overwhelming number of movies vying for a limited number of distribution slots. These two factors combined can make for a daunting journey filled with frustration and failure.

The silver lining however, is that with the right knowledge, coupled with dedicated and diligent work, anyone with a decent film can achieve success. Anyone. But it does take the right knowledge. You do not have to have star names in your movie to get a deal or have success, and your movie does not have to be phenomenal. If it’s at least decent, you do have a real shot.

Film Producer & Distribution Expert Jerome Courshon has assisted hundreds of filmmakers with achieving distribution through his classes, speaking engagements, and consultations. For more information about him or his 3-Day Program, "THE SECRETS TO DISTRIBUTION: Get Your Movie Distributed Now!", visit: http://www.Distribution.LA.

Film Producer & Distribution Expert Jerome Courshon has assisted hundreds of filmmakers with achieving distribution through his classes, speaking engagements, and consultations. For more information about him or his 3-Day Program, "THE SECRETS TO DISTRIBUTION: Get Your Movie Distributed Now!", visit: http://www.Distribution.LA.

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