Superman Returns (2006) review: good teaches evil to believe in itself
Arts & Entertainment → Television / Movies
- Author Thomas Cullen
- Published August 1, 2018
- Word count 395
For a very long time, Superman Returns is a film that has confounded me. I’ve always had a respect for the picture, but at the same time I’ve usually found it difficult to truly enjoy the film: hopefully now, that inability can cease.
In Superman Returns, self-awareness belongs to both good and evil. The opposite of self-awareness belonging to good and evil is good and evil not belonging to self-awareness; the absence of self-awareness is freedom, and thus, good and evil belong to freedom.
Good and evil that belongs to freedom is freedom possessing good and evil. Freedom possessing good and evil is choice possessing good and evil. Choice possessing good and evil is choice being superior to good and evil – choice is power, and as such, power is better than good and evil.
A power that is better than good and evil is an inequality that is better than good and evil: an inequality that is better than good and evil is an inequality that is better than equality and inequality.
An inequality that is better than equality and inequality is an inequality that is unequal than equality and inequality; unequal than is different than, therefore an inequality that is unequal than equality and inequality is an inequality that is different than equality and inequality – an inequality that is different than equality and inequality is an inequality that is not equal and unequal (not the same and different).
An inequality is evil. An evil that is not the same and different is a difference that isn’t the same without evil – a difference that isn’t the same without evil is the absence of not being the same without evil.
The absence of not being the same without evil is being the same without evil; being the same without evil is evil being the same with.
Evil being the same with is with being the same good.
With is not alone. Not alone being the same good means therefore that the same good has to be alone: in order for morality to be coherent, it’s necessary for the moral force to be detached.
And then there’s the converse: in order for immorality to be itself, it’s necessary for morality to let immorality be in the presence of morality.
Superman Returns is about good teaching evil to believe in itself
Superman Returns is the best Superman film ever made; Warner Bros should green-light a sequel to it
Article source: https://articlebiz.comRate article
Article comments
There are no posted comments.
Related articles
- “Behind the Curtain: The Private World of Raymond Burr.”
- “From Pixels to Projectors: How Video Games Reshaped Modern Cinema.”
- “The Art of the Slow Burn: Revisiting 1970s American Cinema.”
- “Riding the Ponderosa: The Enduring Legacy of Bonanza.”
- “Navigating Nostalgia and Novelty in The Matrix Resurrections.”
- “Sin and Celluloid: Pre-Code Hollywood and the Scandalous Films Before the Censors Arrived.”
- North by Northwest: The Movie That Made Danger Look Effortlessly Cool.
- “Beyond the Lens: How Women Directors, Producers, and Writers Are Reshaping Cinema.”
- “Riding the Ponderosa: The Enduring Legacy of Bonanza.”
- “Beyond the Gavel: Cinema’s Most Compelling Courtroom Dramas.”
- Denzel Washington: Crafting a Legacy of Strength, Gravitas, and Change.
- “Blood, Power, and Legacy: The Godfather Trilogy’s Triumphs and Tragedies.”
- Visionaries Beyond Tomorrow: The Five Directors Who Reimagined Sci-Fi Cinema.
- “Greta Gerwig and the Rise of Women Behind the Camera in Hollywood.”
- “The Crown of Cinema: From Citizen Kane to The Godfather.”
- The Evolution of James Bond: Six Decades of Cinema’s Most Enduring Spy.
- The Man Behind the Cape: The Life and Tragic Fall of George Reeves.
- The 24-290 mm Paradox: Why a 12× Zoom from 2001 Still Outresolves Today’s 8K Sensors
- The 100 mm Paradox: Why the “Boring” Focal Length Is Quietly Becoming the Most Dangerous Tool on Set
- The Invisible Science Behind the "Natural" Look: How Modern Optics Quietly Rewrite Cinematic Language
- Mastering Smooth Transitions: How Crane Systems Shape Emotional Storytelling
- The Evolution of Compact Cinema Cameras: From Studio Rigs to Agile Setups
- Mastering Camera Support: How Precision Fluid Heads Transform Cinematic Movement
- Color Reproduction and Skin Tones — The Real Challenge for Modern Cinema Lenses
- When Detail Becomes the Story: Macro Lenses in Narrative and Commercial Filmmaking
- “The Man of Steel’s Tragic Fall: The Life and Times of George Reeves.”
- “The Quiet Comeback: Brendan Fraser’s Journey from Stardom to Shadows and Back Again.”
- “Ashes of the Heart.”
- “Light, Time, and Suffering: The Cinematic Ordeal of The Revenant.”
- “Breaking the Frame: How Independent Cinema Redefined Hollywood from the Margins.”