An Exclusive Interview with Semih Alar: Delving into the Musical Universe of Diaspora

Arts & EntertainmentBooks & Music

  • Author Hugh Morris
  • Published September 17, 2024
  • Word count 1,252

In a world where storytelling transcends traditional boundaries, Diaspora emerges as a groundbreaking film using diorama instead of dialogue or actors. The film’s evocative soundtrack, crafted by the talented Semih Alar, plays a crucial role in bringing its unique narrative to life. We sat down with Semih to explore his creative journey and discover what makes his work so captivating.

Diaspora Album on Spotify: https://open.spotify.com/intl-tr/album/0zydXcJNy6jmUOtGZ01zBK?si=C5dGJE59R9SdCmNO0O3OOw

Diaspora Album on SoundCloud: https://soundcloud.com/semihalarmusic/sets/diaspora-soundtrack

Q: Diaspora takes a unique approach by relying on visuals and music rather than dialogue. How did you tackle the challenge of creating a soundtrack for such an innovative film?

Semih Alar: Creating the soundtrack for Diaspora was an exhilarating challenge. Without dialogue or actors, the music had to be the voice of the film. My goal was to craft a score that would deeply resonate with the film’s themes and fill the narrative gaps left by the diorama format. It was all about making sure every note carried the weight of the story.

Q: The album features four distinct tracks, each named after a letter in “Diaspora.” Can you give us a hint about the significance of these names and how they contribute to the film’s story?

Semih Alar: Oh, I’d love to give away all the secrets, but where’s the fun in that? Let’s just say that each track is like a puzzle piece in the film’s grand narrative. For instance, while one track might represent an ending, it’s actually positioned in a way that invites new beginnings. Intrigued? Good! There’s a lot more beneath the surface of each name.

Q: The diorama technique in Diaspora is quite unique. How did this influence your approach to the music and sound design?

Semih Alar: The diorama format was a game-changer. It gave me a chance to experiment with sound in ways I hadn’t before. With no traditional sets or actors, the challenge was to make the music and sound design as vivid and engaging as the visuals. I had to think outside the box, and that made the whole process incredibly rewarding.

Q: You also handled the sound design and foley recordings for Diaspora. How did managing both roles affect your work on the soundtrack?

Semih Alar: Handling both the music and sound design was like juggling flaming torches — exciting but a bit nerve-wracking! It allowed me to blend everything seamlessly, ensuring that every sound and note was perfectly in sync. It made for a cohesive experience where every auditory detail contributed to the film’s overall impact.

Q: Diaspora has received numerous awards and nominations. How does it feel to have your work recognized in such prestigious circles?

Semih Alar: It feels fantastic! It’s like winning the lottery but with more applause and fewer numbers. The recognition is a wonderful validation of the hard work and creativity that went into the project. It’s incredibly rewarding to see the film and its music appreciated on such a scale.

Q: Can you share a memorable moment or experience from working on Diaspora?

Semih Alar: Oh, absolutely! There was one day when I was so engrossed in the sound design that I accidentally recorded myself humming a tune while mixing. I didn’t realize it until I played it back and heard my off-key serenade. It was a hilarious reminder that even in the serious world of sound design, it’s good to keep things light-hearted!

Q: What inspired you to pursue a career in music and sound design?

Semih Alar: I’ve always been fascinated by how music can convey emotions and tell stories. As a kid, I’d spend hours with my headphones on, lost in the worlds created by my favorite artists. I knew I wanted to create those kinds of experiences for others, and here I am!

Q: What advice would you give to someone looking to break into the field of music and sound design?

Semih Alar: My advice? Don’t be afraid to experiment and make mistakes. Every failed experiment is a step towards finding your unique sound. And always stay curious and open to learning new things. The world of music and sound design is vast and constantly evolving.

Q: Do you have any favorite tools or techniques that you swear by in your work?

Semih Alar: Oh, definitely! I’m a huge fan of using unconventional sound sources. Sometimes, the best sounds come from the most unexpected places. I also love experimenting with different audio effects to create unique textures and atmospheres.

Q: What’s one thing you wish you knew when you first started your career?

Semih Alar: I wish I had known how important networking and building relationships are. The creative community is so supportive, and collaborating with others can open up amazing opportunities.

Q: For those who are interested in collaborating with you, what’s the best way to get in touch?

Semih Alar: I’d love to hear from anyone interested in collaborating! The best way to reach out is through my website, www.semihalar.com. You can find my contact details there and explore more about my work. I’m always open to new and exciting projects!

Q: What’s next for you? Any exciting projects on the horizon?

Semih Alar: I’m currently diving into some exciting new projects, both in film and game music. Each project is a new adventure, and I can’t wait to share more details soon. Stay tuned — there’s plenty more to come!

Q: What’s one thing people would be surprised to learn about you?

Semih Alar: Oh, I’d say it’s my love for baking. I find it incredibly relaxing and rewarding. There’s something so satisfying about creating something delicious from scratch. Plus, my friends and colleagues always appreciate the occasional homemade treats!

Q: If you could have dinner with any musician, living or dead, who would it be and why?

Semih Alar: That’s a tough one, but I’d probably choose David Bowie. His ability to reinvent himself and his incredible range of musical styles are truly inspiring. I’d love to hear his stories and get his perspective on the creative process.

Q: What’s a hobby or interest of yours that you’re passionate about outside of music?

Semih Alar: I’m really into photography. Capturing moments and creating visual art helps me see the world in a different light and often sparks new ideas for my music. It’s a great way to balance my creative energies.

Q: Do you have a favorite quote or motto that inspires you?

Semih Alar: Yes! “Creativity is intelligence having fun.” I love this quote because it reminds me that creativity is all about exploring and enjoying the process. It’s not just about the end result but also about having fun along the way.

Q: Share a fun fact about yourself that not many people know.

Semih Alar: I once participated in a local talent show as a kid, where I performed an epic air guitar solo. It was both hilarious and slightly embarrassing, but it’s a fun memory that always makes me smile!

For a deeper dive into Diaspora’s soundtrack, check out the album on Spotify and SoundCloud. As you read, let the music of Diaspora transport you into its unique world.

I’m a freelance writer, editor and musician based in London.

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