Citizen Kane: The film that William Randolph Hearst despised the most.
Arts & Entertainment → Television / Movies
- Author Michael Orfanos
- Published April 28, 2012
- Word count 682
Citizen Kane is accepted by most film critics today, as the greatest film of all times. The film was also ranked 1st in AFI's edition: "100 movies list", and became an inspiration for director Steven Spielberg. The latter not only bough Kane's "rosebud" sled in 1982, but also paid homage to Welles' film (government warehouse where full of artifacts placed in boxes) in 2 Indiana Jones movies.
Citizen Kane is a basically a drama film, having as a key figure Charles Foster Kane (played by Orson Welles)- a tycoon living his last years in his vast estate called Xanadu in Florida. Kane is portrayed as a bitter old man, living alone and unhappy, despite being surrounded by immense wealth. He dies while holding a snow globe and whispering a mystery word: "Rosebud". News reporter Jerry Thompson decides to find out what is "Rosebud", thus he starts interviewing all Kane's associates, family and friends, and by doing so, the story plot starts to unfold. One the key points of the film is the ending scene, where we can see Thompson fails to solve the riddle of Rosebud, and admitting that : " Mr. Kane was a man who got everything he wanted and then lost it. Maybe Rosebud was something he couldn't get, or something he lost". However, it is revealed to the public that Rosebud was the name of Kane's sled (from his childhood), that is portrayed as thrown by Kane's battler to a fireplace in order to be burned. The symbolism of the scene is very powerful: Charles Foster Kane, a tycoon & dominant public figure-with his dying breath-is revealing to the public his desire for his lost childhood; the only actual time that he was truly and utterly happy.
It is no secret, that script writers Herman J. Mankiewicz and Orson Welles used W.R. Hearst as a principal source for the character of Charles Foster Kane. According to film historian Don Kilbourne: "Much of the information for Citizen Kane came from already published material about Hearst... some of Kane's speeches are almost verbatim copies of Hearst". Both script writers publicly denied any connection between Kane and Hearst, however it seemed that the more they denied any relation to Hearst, the more public came to believe that is an actual biography of Hearst and a severe criticism to his life and actions.
Perhaps the most characteristic scene that reveals the inner connection between Kane's character and Hearst, is when Kane is portrayed as a profligate collector of world artifacts:
-Bernstein: "There's a lot of statues in Europe you haven't bought yet"
-Kane: "You cant blame me. They've been building statues for some 2000 years and I've only been collecting for 5"
Afterwards, Welles had to admit that this specific characteristic (of Kane) was directly taken by Hearst. "And it is very curious that a man who spends his entire life paying cash for objects he never looked at" Welles said "he just acquired things, most of which he never opened, remained in boxes".
William Randolph Hearst, was enraged with the released of the film, because he was certain that it was basically a parody of his character. As a consequence he banned any advertising, reviewing or mentioning of it in his papers. He also tried (through Louis Mayer, head of Metro-Goldwyn-Mayer) to purchase the movie rights and destroy all movie copies, RKO (Kane's production company) denied steadfastly. Hearst, also tried other ways: He paid major movie theatres in order to ban the film, and started a series of defamation articles (from various papers owned by Hearst) against Welles. The film despite these setbacks managed to be released at the cinemas and managed to rank 6th in sales tickets for 1941.
Last Monday, Jeebboo (www.jeebboo.com) the well known trivia/quiz online game, posed the following question to its members: "How many Oscar nominations Orson Welles's film "Citizen Kane" got awarded for? A. 4, B. 7 or C. 9" ? The correct answer is C.9 and are the following:
• Best Motion Picture
• Best Director
• Best Actor
• Best Writer (won)
• Best Art Direction
• Best Film Editing
• Best Cinematography
• Best Music
• Best Sound Recording
Michael Orfanos is an ardent online author with many of his articles published in various sites.
Article source: https://articlebiz.comRate article
Article comments
There are no posted comments.
Related articles
- “Dream Logic and Cinematic Reality.”
- “Glamour, Blood, and the Spotlight: Lana Turner, Johnny Stompanato, and Hollywood’s Most Notorious Scandal.”
- “Blood, Dust, and Honor: How “The Wild Bunch” Shattered the Western Myth.”
- “Dean Martin: From Small-Town Beginnings to Timeless Legend of Music and Film.”
- “Daniel Day-Lewis— Deep Immersion and Subtle Gesture in There Will Be Blood.”
- “Shadows of Youth: How The Graduate Still Echoes Across a Lifetime.”
- "Louise Brooks: The Icon Who Defied Hollywood."
- “Play It Again, World: Why Casablanca Still Speaks to Us All These Years Later.”
- “From Spotlight to Parliament: The Fearless Journey of Glenda Jackson.”
- “Drifting Rooms and Vanishing Faces: Confronting the Abyss in The Father.”
- Mastering Cinematic Camera Movement: The Art and Science of Fluid Heads
- "Grace Beyond Glamour: Audrey Hepburn's Timeless Reign in a World of Glitter and Excess."
- “The Relentless Ascent of Tom Cruise: Hollywood’s Tireless Risk-Taker.”
- “Shadows and Smoke: The Seductive Descent of Film Noir.”
- Indie Film Hack: How a Used Master Prime 50 mm Creates $1-Million Visuals
- “Godfather to Guardian: Al Pacino’s Journey to Redemption in Scent of a Woman.”
- “The Man of Steel’s Tragic Fall: The Life and Times of George Reeves.”
- “Shadowland: The Tragic Ordeal of Frances Farmer and the Machinery That Broke Her.”
- “Glenn Ford: Hollywood’s Reluctant Heartthrob Who Played by His Own Rules.”
- “From Navy Tough Guy to Hollywood Everyman: The Life and Legacy of Ernest Borgnine.”
- Used Master Prime Inspection: 5 Critical Checks to Avoid Refurbished Scams
- “Wounds That Time Couldn’t Heal: Watching The Best Years of Our Lives Through the Lens of Memory and Mourning.”
- “Mira Sorvino: From Oscar Glory to Hollywood Silence.”
- “Beyond the Spotlight: The Rise and Fall of Dorothy Dandridge.”
- “Through the Mist of Venice: Revisiting Don’t Look Now and Its Haunting Grip on Grief.”
- “Hellfire and Heresy: Ken Russell’s The Devils and the Fury of Sacred Cinema.”
- The Countdown Begins: Chicago PD Season 13 Ushers in a New Era of Grit and Drama
- “Heatwave: When Crime, Character, and Two Legends Collided in Michael Mann’s L.A.”
- TopFlix Takes Over: The New Streaming Giant Everyone’s Talking About
- The Rise of the Marvel Cinematic Universe: How It All Began and the Technology That Made It Possible.