Citizen Kane: The film that William Randolph Hearst despised the most.
Arts & Entertainment → Television / Movies
- Author Michael Orfanos
- Published April 28, 2012
- Word count 682
Citizen Kane is accepted by most film critics today, as the greatest film of all times. The film was also ranked 1st in AFI's edition: "100 movies list", and became an inspiration for director Steven Spielberg. The latter not only bough Kane's "rosebud" sled in 1982, but also paid homage to Welles' film (government warehouse where full of artifacts placed in boxes) in 2 Indiana Jones movies.
Citizen Kane is a basically a drama film, having as a key figure Charles Foster Kane (played by Orson Welles)- a tycoon living his last years in his vast estate called Xanadu in Florida. Kane is portrayed as a bitter old man, living alone and unhappy, despite being surrounded by immense wealth. He dies while holding a snow globe and whispering a mystery word: "Rosebud". News reporter Jerry Thompson decides to find out what is "Rosebud", thus he starts interviewing all Kane's associates, family and friends, and by doing so, the story plot starts to unfold. One the key points of the film is the ending scene, where we can see Thompson fails to solve the riddle of Rosebud, and admitting that : " Mr. Kane was a man who got everything he wanted and then lost it. Maybe Rosebud was something he couldn't get, or something he lost". However, it is revealed to the public that Rosebud was the name of Kane's sled (from his childhood), that is portrayed as thrown by Kane's battler to a fireplace in order to be burned. The symbolism of the scene is very powerful: Charles Foster Kane, a tycoon & dominant public figure-with his dying breath-is revealing to the public his desire for his lost childhood; the only actual time that he was truly and utterly happy.
It is no secret, that script writers Herman J. Mankiewicz and Orson Welles used W.R. Hearst as a principal source for the character of Charles Foster Kane. According to film historian Don Kilbourne: "Much of the information for Citizen Kane came from already published material about Hearst... some of Kane's speeches are almost verbatim copies of Hearst". Both script writers publicly denied any connection between Kane and Hearst, however it seemed that the more they denied any relation to Hearst, the more public came to believe that is an actual biography of Hearst and a severe criticism to his life and actions.
Perhaps the most characteristic scene that reveals the inner connection between Kane's character and Hearst, is when Kane is portrayed as a profligate collector of world artifacts:
-Bernstein: "There's a lot of statues in Europe you haven't bought yet"
-Kane: "You cant blame me. They've been building statues for some 2000 years and I've only been collecting for 5"
Afterwards, Welles had to admit that this specific characteristic (of Kane) was directly taken by Hearst. "And it is very curious that a man who spends his entire life paying cash for objects he never looked at" Welles said "he just acquired things, most of which he never opened, remained in boxes".
William Randolph Hearst, was enraged with the released of the film, because he was certain that it was basically a parody of his character. As a consequence he banned any advertising, reviewing or mentioning of it in his papers. He also tried (through Louis Mayer, head of Metro-Goldwyn-Mayer) to purchase the movie rights and destroy all movie copies, RKO (Kane's production company) denied steadfastly. Hearst, also tried other ways: He paid major movie theatres in order to ban the film, and started a series of defamation articles (from various papers owned by Hearst) against Welles. The film despite these setbacks managed to be released at the cinemas and managed to rank 6th in sales tickets for 1941.
Last Monday, Jeebboo (www.jeebboo.com) the well known trivia/quiz online game, posed the following question to its members: "How many Oscar nominations Orson Welles's film "Citizen Kane" got awarded for? A. 4, B. 7 or C. 9" ? The correct answer is C.9 and are the following:
• Best Motion Picture
• Best Director
• Best Actor
• Best Writer (won)
• Best Art Direction
• Best Film Editing
• Best Cinematography
• Best Music
• Best Sound Recording
Michael Orfanos is an ardent online author with many of his articles published in various sites.
Article source: https://articlebiz.comRate article
Article comments
There are no posted comments.
Related articles
- “Sin and Celluloid: Pre-Code Hollywood and the Scandalous Films Before the Censors Arrived.”
- North by Northwest: The Movie That Made Danger Look Effortlessly Cool.
- “Beyond the Lens: How Women Directors, Producers, and Writers Are Reshaping Cinema.”
- “Riding the Ponderosa: The Enduring Legacy of Bonanza.”
- “Beyond the Gavel: Cinema’s Most Compelling Courtroom Dramas.”
- Denzel Washington: Crafting a Legacy of Strength, Gravitas, and Change.
- “Blood, Power, and Legacy: The Godfather Trilogy’s Triumphs and Tragedies.”
- Visionaries Beyond Tomorrow: The Five Directors Who Reimagined Sci-Fi Cinema.
- “Greta Gerwig and the Rise of Women Behind the Camera in Hollywood.”
- “The Crown of Cinema: From Citizen Kane to The Godfather.”
- The Evolution of James Bond: Six Decades of Cinema’s Most Enduring Spy.
- The Man Behind the Cape: The Life and Tragic Fall of George Reeves.
- The 24-290 mm Paradox: Why a 12× Zoom from 2001 Still Outresolves Today’s 8K Sensors
- The 100 mm Paradox: Why the “Boring” Focal Length Is Quietly Becoming the Most Dangerous Tool on Set
- The Invisible Science Behind the "Natural" Look: How Modern Optics Quietly Rewrite Cinematic Language
- Mastering Smooth Transitions: How Crane Systems Shape Emotional Storytelling
- The Evolution of Compact Cinema Cameras: From Studio Rigs to Agile Setups
- Mastering Camera Support: How Precision Fluid Heads Transform Cinematic Movement
- Color Reproduction and Skin Tones — The Real Challenge for Modern Cinema Lenses
- When Detail Becomes the Story: Macro Lenses in Narrative and Commercial Filmmaking
- “The Man of Steel’s Tragic Fall: The Life and Times of George Reeves.”
- “The Quiet Comeback: Brendan Fraser’s Journey from Stardom to Shadows and Back Again.”
- “Ashes of the Heart.”
- “Light, Time, and Suffering: The Cinematic Ordeal of The Revenant.”
- “Breaking the Frame: How Independent Cinema Redefined Hollywood from the Margins.”
- “The Elusive Muse: Greta Garbo and the Art of Disappearing.”
- “Dream Logic and Cinematic Reality.”
- “Glamour, Blood, and the Spotlight: Lana Turner, Johnny Stompanato, and Hollywood’s Most Notorious Scandal.”
- A Journey Across Europe: The Map That Leads to You 2025
- “Blood, Dust, and Honor: How “The Wild Bunch” Shattered the Western Myth.”