In the Grip of the Splinter: Transforming Writer's Discomfort into Creation

Reference & EducationWriting & Speaking

  • Author Michael Martin
  • Published July 28, 2025
  • Word count 1,238

In the Grip of the Splinter:

Transforming Writer's Discomfort into Creation

Writing is often a battle. It begins with a subtle discomfort, a prickling irritation buried deep within the mind. A splinter, lodged in the recesses of thought, refuses to be ignored. It is not a loud, intrusive force but rather a quiet, persistent whisper that nags at you, urging you to pay attention to something elusive. Something isn’t quite right, and the mind cannot rest until it finds a way to express it. This splinter grows as an uncomfortable awareness of something that needs to be said, yet there is no clear form for it. No neat, tidy box to package the thought into, no easy way to tie it up and tuck it away. These are the splinters of the mind—small, sharp fragments of thought that prick and prod at the writer, driving them to the edge of frustration. And, in the end, the only way to rid yourself of this uncomfortable feeling is to write.

The splinter—this source of irritation—often takes the form of an incomplete or unarticulated thought, something that feels wrong, but the mind cannot yet grasp fully. Perhaps it’s a sentence that isn’t quite right, a theme that feels unfinished, or an idea that seems just out of reach. It is the gnawing sense that something needs to be expressed, but it refuses to be captured in words. This discomfort is at the heart of every writer’s struggle. But, as much as it is frustrating, it is also a call to action. The mind demands to be freed from the persistent discomfort, and writing becomes the only remedy.

Writing, in its essence, is an act of discovery and of unraveling. It is a journey of uncovering the hidden thoughts and feelings that lie buried beneath layers of doubt and hesitation. At first, there is only the nagging sense of something amiss. An idea that feels incomplete or misunderstood. A question that lingers in the background, taunting the writer without offering any clear path forward. This feeling—the splinter—is what drives the writer to the page. There is a vague awareness that something needs to be said, but no understanding of how to say it. Yet, once the splinter is freed from the mind, the writer's mind starts its journey of excavation, peeling back the layers of uncertainty and frustration. It is only through the act of writing that the writer can fully grasp what was once elusive, transforming the splinter into something more—a fully realized thought, a story, or an idea.

Writing begins as an attempt to release this internal tension. The splinter, now freed, becomes the trigger for something larger. Once the first word or sentence hits the page, the floodgates open, and what was once a single, irritating fragment becomes the starting point of an avalanche of thoughts. The mind is no longer constrained by the nagging discomfort of the splinter; instead, it begins to flow freely, almost as though the floodgates had been opened. What began as a single irritant now grows into a cascade of thought, rushing forward with relentless momentum. This is the moment when a writer can feel the surge of inspiration. What was once chaotic and fragmented now finds order and meaning. The splinter has served its purpose—it has sparked the flood of creativity, clearing the way for the writer to explore deeper truths.

At times, the splinter feels insidious. It doesn’t always make itself known in a direct, obvious way. Rather, it manifests as a quiet discomfort, a subtle disturbance in the otherwise calm flow of thought. You know that something needs to be written, but the words don’t come easily. The splinter gnaws at you, sharp and irritating, but you can’t quite remove it. You are lost in a fog of thoughts, unable to grasp what needs to be said or how it should be said. This is the writer’s struggle—a battle not against the splinter itself, but against the frustration of its presence.

To relieve the pressure, writers must allow the mind to spill onto the page. As the splinter begins to loosen, words, much like water breaking through a dam, start to flow more freely. The splinter begins to lose its hold with each stroke of the pen or tap on the keyboard. The more you write, the more the discomfort fades, until eventually the splinter is gone. What was once an irritation has been transformed into something more—a stream of thought, a current that propels the writer forward, deeper into the labyrinth of their own mind. The splinter is no longer a force of frustration but a catalyst for creativity. It has served its purpose—once an irritating presence, it has now become the source of a great flood of ideas.

The splinter, once a sharp point of irritation, is now part of something larger. It is the seed that has been planted, and as the mind flows with ideas, that seed grows into something new—a fertile ground for further exploration. The writer allows themselves to be carried forward by the current of their thoughts, trusting that the act of writing will guide them to new understanding.

But as the river of ideas expands, it often grows more forceful. The once peaceful stream can turn into a torrential rush of thought. As ideas surge forward, they demand attention. They force the writer to confront the full breadth of their mind, to confront everything they have hidden or neglected. Ideas no longer stay neatly contained. They spread out like tributaries, diverging in unexpected directions. Sometimes this expansion is overwhelming. But it is in this tumultuous flow that true creative work begins to unfold.

There is liberation in this chaos. The splinter, which once seemed like an insurmountable obstacle, has served its purpose. It sparked a flow of thought. Now, as the words pour onto the page, the writer feels a sense of purpose. Chaos is not to be feared. It leads to something deeper, a clarity of vision that could not have been reached otherwise. What once seemed fragmented now finds its place within the larger narrative.

Yet, even as the river of ideas flows with unchecked energy, there comes a moment of stillness. The rush of thoughts begins to subside, leaving behind a quiet peace, much like the calm after a storm. The words are on the page, the ideas have been expressed, and for a moment, there is a sense of relief. But in that stillness, a new splinter appears. This is the cyclical nature of writing: the removal of one splinter often reveals another. The mind, once freed from the tension of a particular thought or idea, is now confronted with the next. A new question arises, a new challenge to address. Each splinter is simply a step along the way—an ongoing cycle of discovery, expression, and renewal.

This is perhaps the essence of being a writer: the constant struggle to express what feels just beyond reach. Each splinter, each nagging thought, leads to another. As each new idea takes shape, the writer is pulled deeper into the flow of creativity. Writing is not only a means of removing the sharp and persistent splinters of the mind. It is a way to guide the writer toward new discoveries and realizations.

Michael Martin is a retired business executive working on the Thai-Myanmar border with individuals and organizations from Myanmar. He authors a number of articles related to religion and politics, including useful fiction,

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